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Lindbergh describes a “perfect double-sunrise shell” (71) that a stranger gave to her on the beach. Both sides of the shell are identical, like the wings of a butterfly, and they are connected by a golden-looking hinge. She describes it as perfect, whole, and untarnished. Further, the shell was given to her by someone who expected nothing in return. As she says, this gift was given “in the immediacy and purity of the present” (72), an act of human generosity without any connection to worldly social rites or ties.
The double-sunrise shell and the description of how Lindbergh acquired it serve as a metaphor for what she calls “the pure relationship” (72). This a relationship, whether to a lover, a friend, or one’s child, in its initial stages. In this phase, the relationship is unencumbered by the practicalities of life, societal obligations, and expectations. Instead, it is self-enclosed and pure. As in the case of two people over dinner who are absorbed in each other’s conversation, in this stage, the relationship is indifferent to others and to anything beyond the present encounter. Past obligations or future responsibilities do not intrude. However, with the passage of time, the world and its demands disrupt this initial purity and unity. Lindbergh argues that this is the fate of all types of relationships. However, she observes that it is especially true of marriages, in which the transformation is seen most explicitly since the bond “is the deepest one and the most arduous to maintain” (73). In such instances, the loss of that first perfect moment of love is felt, she says, as a tragedy.
Part of the reason for this loss of the initial “pure relationship” is, according to Lindbergh, the fact that as a relationship develops, men and women start to inhabit different specialized roles. Men, traditionally, are drawn increasingly into the world of work and careers. Meanwhile, women are traditionally pulled closer into the world of family and the household. This development undermines the intimacy of the relationship in two ways. First, it means that the interests, values, and worlds of the man and the woman start to diverge. Second, the man and the woman start to see each other less as lovers and more in terms of their gendered functions as providers, caregivers, or parents. Thus, a couple’s connection, which was initially based upon the mutual recognition of two individuals, is undermined. Nevertheless, Lindbergh suggests that there are ways to counteract this drift toward the loss of intimacy.
In one sense, suggests Lindbergh, it is impossible to return to the double-sunrise shell. The self-enclosed intimacy and simplicity of the “pure relationship” it represents is “like the artist’s vision before he has to discipline it into form” (72). It is beautiful and exhilarating in its freshness, and it reveals the wonder of new connections and possibilities. Yet, like an artist's vision that must be subjected to the realities of hard work to come to fruition, so must a relationship. Questions of the past and the future inevitably intrude upon the purity of the first moment. A partner’s life prior to the new relationship, as well as their friends, family, and work, must be accepted, and practical plans for the couple's future must be made. The “ecstatic stage” (74) of a relationship, in which each partner’s only concern is the other, must give way to something more variegated and sedate.
For these reasons, Lindbergh says that, however challenging it may be to do so, the parties involved in a relationship must learn to accept this change as “natural and part of the process of life and evolution” (74). If they do not allow the relationship to evolve but continue to “hunger nostalgically for its original pattern” (74), they may be led into affairs and the destruction of their existing relationships. Lindbergh notes that people are tempted to “blame the situation on the other person” (76) when the intensity of the early stages of their romance begins to fade, and they imagine that a new, idealized partner will restore the lost stage of intimacy and ecstasy. This leads to unhappiness, as the new relationship also fails when it, too, is unable to satisfy the yearning to remain indefinitely in the ecstasy of the first moment.
However, while acceptance of this change is essential to sustaining a relationship, the period of the pure relationship should not be forgotten. When this happens, says Lindbergh, a relationship can be “buried under the impedimenta of life” (77-78). The practicalities of life such as looking after the home, taking care of children, and attending to work can completely submerge the initial intimacy. This can be as dangerous for a relationship as nostalgia for the early ecstasy, as the joy and connection between two people slowly atrophies. Thus, Lindbergh recommends reconnecting with the original spark in a relationship. This process begins with both partners' rediscovering themselves. They should re-engage with what made them individuals and what they were passionate about before the relationship and carve out some space for these interests. This rediscovery can lay the foundation for times when the partners rediscover each other and see each other anew in a romantic context. For example, Lindbergh recommends that couples go “on vacations alone together” (78).
In doing this, they will not enact a simple return to the pure relationship; the practicalities of life will still form an inescapable backdrop for their marriage. However, they can rediscover what drew them together in the first place. Further, Lindbergh shows that this is possible through her personal experiences, such as relishing “the sudden pleasure of having breakfast alone with the man one fell in love with” (78). Lindbergh’s confiding tone and the personal nature of what she describes help establish intimacy with the reader. Through this sense of connection, she encourages readers to rediscover the joy in their own relationships that may have also fallen prey to complacency and practical concerns.
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